ROUND TRIP

There is no linear narrative, but rather moments, images and situations that transfigure the formal structure of the choreographic score into music, into what appears to be a “mosaic-work”.

An exploration of pure movement, starting from the awareness that “without space, movement would not exist, but without movement, space would not be conceivable”.

With Round Trip, we delve into an exploration of different identities, the encounter with the other and its multiple facets. Individuals engaged in a search, both singular and multiple, confront and identify with one another, merging together, still unconcerned with any form of classification.

A circular motion consisting of entering and leaving the space, departures and returns that do not always coincide, as though each individual situation were disconnected from the one before or after it and could belong, each time, to an infinitely variable number of performers.